Podcast booking is priced at two extremes: matching tools where you do all the work, or agency retainers from £800 a month. Podcast Amplify sits in between: the research and the drafted pitch, self-serve, with 81,200 shows you can realistically get booked on.
Browsing the directory is free and always will be. You pay when you want pitches drafted for you, and you can cancel from your account page at any time.
Browsing the directory, all 207,034 shows, their reach and their published contacts, is free. You pay when you want pitches drafted for you.
Three confirmed interviews for £750, six for £1,350, twelve for £2,400. We only introduce you to hosts who have asked for guests like you, and any booking not confirmed within 90 days is refunded. If a show charges guests, we tell you the fee first and you pay the host directly.
Tell us what you needNot on the self-serve plans, and be wary of anyone who promises bookings from cold pitches. The published median acceptance rate for a podcast guest pitch is about 5%, roughly one booking per twenty well-targeted pitches, and these plans are sized against that number.
Our booking service is different. It only introduces you to hosts who have asked us for guests and told us what they want, so it does guarantee the result: any booking not confirmed within 90 days is refunded.
Each show's own RSS feed, where it publishes an owner contact. We never buy a contact database, never guess an address from a name pattern, and never probe a mail server. If a show publishes no contact, we say so and link you to its own submission page.
No. Nobody outside a show can see its downloads, and any tool claiming otherwise is estimating. Our prominence score is a 0–100 composite of chart history, longevity, publishing activity and cadence. All free, published signals, and labelled as exactly that.
Two settings, because they mean different things. In the UK store means Apple surfaces the show to a UK listener, which is useful, but American shows pass it too. UK-verified means we have hard evidence of a UK operation: a .uk contact address or website. That list is smaller and certainly incomplete, since plenty of British shows use a .com domain. We show you which is which rather than blurring them.
Never. We draft; you edit and send from your own inbox. That keeps your name on the outreach, keeps you in control of your sending reputation, and keeps the data-protection relationship between you and the show.
Deliberately. Shows in the UK Top 100 and those run by multi-show publishers are excluded from the bookable list, because a small business realistically cannot get on them. You can still browse them. They just aren't presented as targets.
The whole directory is open: every show, its reach signal and its published contact. Judge the quality yourself, then decide.